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Nasty C’s Albums, Ranked From Worst to Best 

Nasty C’s Albums, Ranked From Worst to Best 

Nasty C has never released a bad album—just different shades of growth, risk, and reinvention. From his early mixtape roots to global aspirations, his catalog reflects the journey of a young rapper who never stopped evolving. 

When Nasty C dropped Juice Back in 2015, the game shifted. In South Africa’s fiercely competitive hip-hop scene—then ruled by heavyweights like HHP, ProVerb, Da L.E.S, L-Tido, Riky Rick, AKA, and Cassper Nyovest—emerged a teenage upstart with the audacity to stake his claim among giants. Armed with raw hunger, technical finesse, and global ambitions, Nasty C didn’t just enter the chat—he demanded the mic.


The Juice Back remix, featuring Cassper Nyovest and Nigeria’s Davido, didn’t just cross borders—it expanded them. By the time he and Davido linked again for Coolest Kid in Africa, it was clear: Nasty C wasn’t just a local prodigy. He was built for the continent and beyond.

Nearly a decade later, the Durban-born rapper has earned his spot as one of Africa’s best rappers, evolving from a young lyrical technician into a self-assured storyteller, one who’s weathered losses, label shifts, fatherhood, and the pressures of international ambition. His sound has grown with him—sometimes experimental, sometimes nostalgic, but always intentional.

We’ve unwrapped Nasty C’s essential songs,  and now we’re ranking his major projects—not because any of them are bad, but because some hit harder, last longer, and carry more weight. Although Nasty C boasts an impressive catalog, including the fan-favorite Ivyson Tour Mixtape and his recent collaborative EP with Lekaa Beats, Confuse the Enemy, this article zeroes in on his solo full-length studio albums. This is the evolution of Nasty C, traced from his debut album to his latest offering.

4. Zulu Man With Some Power 

If Bad Hair Extensions was his breakout and Strings and Bling his ascension, Zulu Man With Some Power was Nasty C’s first real play for global recognition. With American features like T.I., Ari Lennox, and Lil Keed, the album positioned him as a rapper capable of straddling two worlds. On tracks like Palm Trees and That’s Hard, he flexes his pop-trap sensibilities, while Zulu Man reaffirms his roots, switching into his mother tongue without missing a beat. It’s ambitious and polished, but occasionally leans too far into commercial gloss. Still, it’s a critical chapter in his catalog—proof that he could make international moves without abandoning home.

3. I Love It Here 

This is Nasty C at his most honest. Released in 2023, I Love It Here peels back the layers of his public persona to reveal a more grounded, reflective voice. Songs like No More and Endless explore mental health, fatherhood, and spiritual seeking, while Prosper in Peace feels like a soft-spoken thesis on maturity and growth. It’s not the album you turn to for instant bangers, but that’s the point. This is an album that rewards patience. It doesn’t scream for attention; it speaks with calm assurance. For longtime fans, it’s a signal of artistic evolution. For Nasty C, it’s a journal entry set to music.

2. Bad Hair 

Bad Hair and its extended version were the official introduction of a young, sharp-tongued rapper with everything to prove. It didn’t just mark a coming-of-age; it kicked the door wide open. From Hell Naw to Allow, the album is packed with youthful energy, lyrical fire, and a hunger you can’t manufacture. There’s a looseness here that makes it feel alive, raw, urgent, and emotionally charged. It’s not just about showcasing skill; it’s about showing heart. For many, Bad Hair is the project that converted them into believers. It remains one of the most defining debuts in modern South African hip-hop.

1. Strings and Bling 

This is the crown jewel. Strings and Bling is where everything clicks—storytelling, production, emotion, and replay value. It has hits, soul, and a sharp sense of identity. Every track feels intentional and calculated. Whether he’s rapping about love, ambition, or betrayal, Nasty C’s delivery is surgical. There’s no filler here, just a rapper at the peak of his confidence, balancing emotional depth with commercial appeal. Strings and Bling isn’t just Nasty C’s best album, it’s a benchmark for what modern African hip-hop can sound like when executed at the highest level.

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